Archive for the ‘i see what you did there’ Category
Long time, no see.
At Ohayocon I let a couple of emcees know exactly what I thought of them.
People shout at anime conventions, and I figured there was no reason I shouldn’t do so at an acceptable time, either – never mind that my shouting was of a political bent.
I can’t, or won’t, or don’t, check my feminism (or femaleness) at the door when I go somewhere. Even though I can compartmentalize a little (or I’d never enjoy anything), I cannot and will not simply stop caring about problematic stuff just because it’s “only fandom/entertainment/whatever.”
It’s never “just for fun.”
Usually, if a show bothers me, I try to just ignore it, unless it’s shoved in my face. If something I enjoy suddenly becomes problematic (or if it’s problematic from the beginning), I’ll think/talk about that, too – because, like I said, I can’t not enjoy anything ever because it’s not completely politically correct. There would be nothing left.
However, if I am at a convention – if my physical body is in a physical space, especially one I have paid money to inhabit – then I absolutely refuse to just ignore it. Even if it’s not a literal and immediate threat of violence against me, personally, the kind of “jokes” that I ended up shouting about were implicit threats against my personal safety – especially the first time.
One of the improv actors in the Anime Whose Line made a “joke” about violence against women, and that was the first (and probably loudest) time that I spoke up. “What other manly things can we do?” he asked, “beat women!”
And I sat up straighter, cupped my hands in front of my mouth, and told him to go fuck himself.
It was only a conference room, not a big theater like the Masquerade. I bet everyone heard me. I hope they did. I hope he went home and was terribly embarrassed that some chick called him out as the unfunny douchebag he is.
I was worried at first, but then nothing bad happened to me – the actor himself just ignored me, and I got a few approving nods.
Whether he realized it or not, and even if he didn’t ~intend~ to make me (and, you know, like half of his audience) uncomfortable, what he said was directly threatening to women’s safety – and con spaces are not known as very women-friendly spaces to begin with. (I’m sure there are more examples, those are just the first two that came to mind.)
Of course, everyone in that panel was just a douche. Another guy called on an attendee for a suggestion, then said “see, I didn’t call on you as ‘that Black guy there!'” and I was like wow, really? because come on, dude not funny. I think once upon a time, fandom was a place for white, straight, cis dudes, but the world has moved on.
After that, the actor added a disclaimer, saying that the 18+ panel later during the conference wouldn’t be “PC.”
If you can’t be “funny” without reinforcing the *ist status quo, you’re a shitty comedian and need to get a day job. Seriously, there is nothing entertaining or edgy about being a douchebag. It’s just a lazy way to get some cheap laughs; ditto this to the emcee of the Masquerade, who said “you want to hear a joke? women’s rights.”
I shouted about that, too, but I think my protest was lost in the general din – and while I was offended*, it wasn’t as threatening, because what can he, this one loser emcee, do to take my legal rights away? Of course, it contributed to a general culture of misogyny, but unlike the first emcee, would could literally go out and attack women at the con, this one couldn’t really do much other than stick his foot in his mouth and make himself look like a douche.
I also yelled at a couple of Hetalia cosplayers for letting their flags touch the ground† but I couldn’t’ve addressed every case of that I saw, and… well, tbh I care more about the feminism thing than the flag thing.
However, if there is a repeat of the Anime Boston ’10 incident, I will be speaking up – and loudly.
I won’t sit back and let the parts of fandom that I don’t like slide by. I won’t be made to feel uncomfortable in something I enjoy because I’m not a cis white straight man. Fuck that; we’ve all got a right to be here, and to feel safe here.
*and no, jokes about stripping me of my legal rights as a citizen to vote, to press charges, &c. are not funny and I’m not being ~over-sensitive~. just don’t start that with me right here/now.
†just don’t carry them, people. just don’t.
In this post, the app in question (it tracks menstrual cycles – for men in heterosexual romantic/sexual relationships) has “a female symbol …sporting devil horns.”
For those of you who failed Greco-Roman mythology and/or astrology or just plain ol’ fashion do not give a damn about either subject, let me remind you: the female symbol (♀) is the astrological sign for Venus. (The male symbol (♂) is the astrological symbol for Mars.) However, the Venus symbol with horns (☿) is no longer the Venus symbol at all, but is, instead, the symbol for Mercury, and it’s used to represent intersex individuals the way the Venus/Mars symbols represent ciswomen and cismen.
Whoops. (KNOWING STUFF: It helps!)
Two short movie reviews, crossposted from my personal journal. Expect posts in more depth soon. (I actually have time now that I’m home from Japan.)
The Sorcerer’s Apprentice
I went to see The Sorcerer’s Apprentice. It was pretty good. Nicholas Cage was surprisingly attractive in it; he doesn’t usually do much for me, but the Aragorn-esque outfit helped. /easy to please There was some serious Lord of the Rings ripoff stuff in there; e.g., Morgan le Fay’s freak out was filmed just like Galadriel’s “in place of a Dark Lord you shall have a Queen” thing. A decent summer movie, but not a great one – the car chase was so-so, but the car itself was an old Bentley. Classy. (Unfortunately, the car did not remain a Bentley for the duration of the chase. Now that would have been awesome.)
My biggest complaint was that the female characters weren’t characters, just love interests. Becky in particular was really boring – not quite cheerleader, not quite Manic Pixie Dream Girl, but definitely ~*perfect*~ and c’mon, just because you knew someone in fourth grade doesn’t mean you’re destined to be together. They didn’t seem to have anything in common beyond that; she was a music major who does yoga and he was a gawky physics nerd. (Yoga was not, in this instance, used to show that she was a selfish bitch, though! It often is.)
Veronica had some potential, but she nobly sacrificed herself in the first ten minutes and then was pretty much useless when she came back.
Oh, and the whole reason shit happened was because the two male apprentices fought over the female one. Plus, the big bad was a woman.
Girls: will do nothing but fuck your life up. (Becky was a constant distraction from David’s training to save the world.)
Needless to say, I was displeased with that part. Also, it did not pass the Bechdel Test. Actually, it didn’t even get close; two named female characters didn’t even talk, let alone about boys. The closest we got was Becky talking to an African-American woman in a coffee shop (a convo we did not hear so much as see through David’s stalker gaze), so they could show how politically correct they/the characters are and still have a film entirely about white people.
I SEE WHAT YOU DID THERE, FILMMAKERS.
… and I’m sick of your bullshit.
The mop scene was fun, though; David basically does like Magical Mickey, complete with the music from the same scene in Fantasia.
The Princess and the Frog
Mouse and I watched The Princess and the Frog. I thought it was a let-down; the music wasn’t very inspired and for all the ruckus Disney made about Tiana being the first Black protagonist in an animated Disney film, she was only human for about 15% of the film. Talk about a cop out.
Oh, and the previews for Tangled, which I was originally excited for because the concept art was really pretty and Rapunzel was supposed to be kinda awesome, are really leaving me cold. It looks like another trite “princess saves herself and the prince” story – and I am all about girls kicking ass and taking names instead of being helpless and rescued all of the time, but these half-assed knockoffs inevitably destroy the grrrl power message somehow and end up reinforcing boring heteronormativity. Yawn. If anything they’re even worse, because you’ve gotta work hard and be awesome, but still, your reward at the end of the day is a man, instead of full-fledged personhood and legal/social equality for yourself.
The Princess and the Frog had the same problem. Tiana knew what she wanted and how to get it, but in the end, her life just wouldn’t be complete without a man. ‘Cause all career driven single women are bitter ugly harpy spinsters and we definitely don’t get movies about us. ＝／ She was doing fine without a man, you know. I would have liked that movie much better: girl and dude decide that they can be friends or try again later, but right now she’s got shit to do, you know?